Category Archives: Entertainment

“Saints Row IV: Re-Elected” Deserves Impeachment

Saints Row IV was a colossal bummer on all fronts.

Remastered games generally give titles a second chance to right the wrongs of its first release or at least yield a more convenient way to access the classics. There’s a reason why companies keep gussying up old titles and putting them on new hardware. Considering its title, Saints Row IV: Re-Elected wasn’t able to be revived as a classic since Saints Row IV wasn’t a classic to begin with.

Re-Elected might mark the first time a remaster actually performs worse than its last generation version, despite it hardly looking better than an average looking Xbox 360 or Playstation 3 game. During my 20-hour playthrough, I had multiple disconnects in co-op, which kicks your hub world, around 6 or 7 hard locks, and more than a few progress-stopping bugs. This is supposed to be the better version and yet, every single time I inserted the disc, I had to worry about it exploding inside of my Playstation 4. Most remasters add something to the games’ performance. Saints Row IV: Re-Elected‘s biggest new feature is a wealth of horrible bugs.

Glitches aside, Saints Row IV has other issues. The super powers granted to the gang makes traversal a breeze. Zipping around and leaping from building to building makes car jacking irrelevant as on-foot movement is much more flexible and swift. And that much carries traversal far but not far enough.

The digital city of Steelport wasn’t made with these powers in mind, which leads to instances of tight squeezes and irritating losses in momentum. You’ll be cruising along quite quickly thanks to the improved frame rate, but you’ll inevitably hit a literal wall or some general junk that abruptly halts any flow. Games like inFamous Second Son crafted cities around the game’s available set of powers and it’s obvious that Steelport wasn’t constructed with the same amount of care.

Offensive powers like stomping and ice balls are good fun as well, but nothing really meshes with shooting. Don’t mistake that as a burn towards the shooting; it feels smoother than most others in the genre, but it isn’t on the same wavelength as the power set. You’re either shooting or performing heroic feats; there is no in between. There’s an odd disconnect between wanting to use your powers and guns in tandem. Switching just isn’t quick enough to form a cohesive gameplay experience that seamlessly integrates gunplay and superpowers.

Flying around Steelport is kind of fun sometimes, albeit really easy.
Flying around Steelport is kind of fun sometimes, albeit really easy.

Even though the shooting feels great and has an inventive weapon layout, the entire game suffers from an uncomfortable amount of familiarity. Saints Row IV has the exact same visual style as Saints Row: The Third. It’s set in the same city, it has the same HUD, it recycles a lot of the same jokes, and enemies still annoyingly juggle you around when you take a hit. All of this copied-and-pasted content is not only inexcusable, but does little to drum up excitement while doing anything. You’ve done these activities before in the same place. Saints Row: The Third was an incredible game but seeing IV ride so closely on The Third‘s coat tails is as disappointing as it is boring.

The story follows the same template of being simultaneously disappointing and boring. The Saints have continued up the chain of command by conquering the White House. After brandishing the entire crib in the Saints’ iconic purple hue and throwing in a few strippers for good measure, an alien race known as the Zin invades Earth and holds humanity hostage. This alien race has jacked the gang into some sort of Matrix-like simulation, forcing the purple crew to kick some alien ass and save the human race.

The Boss is pretty badass.
The Boss is pretty badass.

An alien invasion feels like a natural progression for the series but this threat doesn’t seem to go beyond an intriguing premise. The Boss (that’s you) must free the other members of the Saints and stop Zinyak, the Zin’s nefarious and drastically underutilized leader. That’s it. It’s overly simplistic and doesn’t really evolve over the course of the game. Because of this, the overall plot can feel monotonous after nearly every banal, run-of-the-mill mission, scarcely finding new ways to motivate the player to keep trekking on.

Not even the once-amazing writing can save the narrative. A solid joke appears once every few hours, but it does little to distract the player from the numerous flat debriefing segments and portions of the game where nothing important or interesting happens.

The Dubstep Gun is exactly what it sounds like and it is amazing.
The Dubstep Gun is exactly what it sounds like and it is amazing.

The only events that are interesting come in the form the game’s included downloadable content (DLC). How the Saints Save Christmas is a delightfully funny holiday-themed mission pack with some solid writing, cheery atmosphere, and most importantly a new setting. Enter the Dominatrix is a mockumentary take on the unfinished DLC for Saints Row: The Third. It’s unmistakably unfinished, but the fourth wall breaking humor and friendly self-deprecating jokes make this short campaign worth seeing through. Including the DLC is an ironic cold reminder of how muted and bland the main game is.

Saints Row IV: Re-Elected drops the ball more than it drops the bass and it has a gun that shoots dubstep. Remasters generally improve the experience, add new features, or a combination of both. While the included DLC is appreciated, Saints Row IV is still disappointing on most fronts and even more so now given its rampant buggy-ness. Performance issues aside, it’s also not a game most people would want to see serve another term in office. With a performance like this, impeachment should be inevitable.

Saints Pro:

+Some solid jokes are buried in the dialogue
+Upgrading and moving around the city can be simple fun
+The Dubstep Gun

Saints No:

-New, game-stopping bugs and “new” visuals don’t match its peers
-Repetitive mission objectives
-Lame story with no real meat
-Borrows far too many jokes, environments, and missions from Saints Row: The Third


No charges for red Power Ranger in sword killing

Richard Medina Jr. Photo courtesy of Facebook.
Richard Medina Jr. Photo courtesy of Facebook

Ricardo Medina Jr., more commonly known as the red Power Ranger from the series in 2002, has been released from jail with no charges after allegedly stabbing and killing his roommate, Joshua Sutter, with a sword on Saturday.

The Los Angeles county sheriff’s department says that the actor will not be charged because more evidence is needed.

“I’m very, very, very sorry for what occurred. I’m very happy to be out of jail, and my heart goes out to the Sutter family,” Medina said after he was released from jail.

Read our original report here.

Former Power Ranger stabs and kills roommate with sword

Richard Medina Jr. Photo courtesy of Facebook.
Ricardo Medina Jr. Photo courtesy of Facebook.

It’s the end of a sad weekend for Power Ranger fans. Former red power ranger, Ricardo Medina Jr., famous for his role on Power Rangers Wild Force in 2002, has been arrested for allegedly stabbing and killing his roommate, Joshua Sutter, on Saturday afternoon in Palmdale, Calif.

The 36-year old reportedly got into an altercation with Sutter, grabbed a sword by the door, and killed the roommate with one swoop into his abdomen.

He then called the police, was arrested, and is now set with a $1 million bail.

Medina’s girlfriend happened to be in the house and witnessed the stabbing.

He is currently being held at the Palmdale Station Jail Facility, according to

Exploring the Creative Arts Building


Exploring different departments on your university campus can lead to some interesting encounters and some fun videos. We were lucky enough to have Miguel Verdugo and David Bookbinder let us record them performing Grand Duo Concertant Op. 48.

Filmed, produced, and edited by Jannelle Garcia, Jayda McClendon, and Olympia Zampathas.

The Interview – a breakdown of the shakedown

So, assuming that you’re not totally disconnected from the media, you’ve probably heard that a certain movie that was supposed to premiere on Christmas Day is not going to be shown in theaters because of terrorist threats – and if you haven’t heard the news, that sentence might sound a little crazy to you.

And, trust me, you’re not alone on that one. It is something that you’d assume was in the plot of some sort of action filled thriller or off-beat romantic comedy, but nope – this is real life.

The movie sparking this wild round of controversy and threats is the comedy “The Interview,” starring James Franco and Seth Rogen. Rogen was also a co-writer and director of the comedy. The plot focuses on a talk show host and a producer of a television show who manage to schedule an interview with North Korean Leader Kim Jong-un, and are then recruited by the CIA to assassinate him.

So, how’d we go from a comedy on a topic that’s not completely foreign to the big screens, assassination of a dictator, real or fictional, (Team America, anyone?) to terrorist threats and cancellation of said movie?

Hopefully, this timeline helps break down some of the key events that have happened so far.

June 24th 2014 – North Korea’s Central News Agency, the only media organization allowed in the country, condemned the film and promised “merciless” retaliation if the film was released. A North Korea spokesman was cited by the state KCNA news agency as saying: “Making and releasing a movie on a plot to hurt our top-level leadership is the most blatant act of terrorism and war and will absolutely not be tolerated,” according to BBC.

November 24th – the first in a series of Sony hacks happens. Social security numbers, company passwords, and upcoming movies are all released by the hackers of a group who call themselves the GoP or the Guardians of Peace. Employees and their families are threatened through emails sent by the hackers.

December 17th – eight days before the planned-premiere of the film, Sony, the company producing “The Interview,” is hacked again. This time, emails cite 9/11 type attacks of theaters that show the film.

December 18th – After the four main theater chains in the nation make statements refusing to show the film, Sony cancels the Christmas Day premiere.

December 19th – The FBI states that they have enough information to confirm that North Korea was behind the threats. “For example, there were similarities in specific lines of code, encryption algorithms, data deletion methods, and compromised networks,” the FBI, according to NPR.

President Obama disagrees with Sony’s decision to cancel its December 25th release, calling it a mistake and stating that they should have talked with him first. “We cannot have a society in which some dictator someplace can start imposing censorship here in the United States,” the president said in his year-end news conference.

Sony stands by their call saying that they wouldn’t have pulled the film if so many theaters hadn’t refused to show it and that they fully support the First Amendment. They have been pulling advertisements and trailers for it off of YouTube and other sites, but state that their intention is to still have it distributed.

Obama discusses adding North Korea back to the State Department’s list of state sponsors of terrorism, which it was removed from in 2008 by the Bush administration during nuclear negotiations.

December 22ndThe Verge reports that the Internet thinks that “The Interview” is the perfect movie. It has been rated 9.9/10 stars on the Internet Movie Database (IMDB) with over 22,000 reviews.

North Korea refers to the hack as a “righteous deed” but claims not to be responsible for it.

And that is all the news so far.

Sony hasn’t announced a date for the release or platform it will be distributed on yet, but has stated it is their intention to get the film out there. If the world will actually ever see it, who knows.

Haters gonna hate, but that doesn’t stop TSwift: a review of 1989

Seems like the haters really are not making much of an impact on Taylor Swift as of lately. Her newest album, 1989, sold 1.287 million copies in the first week alone. That is the most any album has sold since The Eminem Show, which sold 1.3 million copies in the first week, in 2002.

Here is Swift’s reaction to the news of her record breaking record sales:

Swift has switched up her style for this new album. Say goodbye to anything reminiscent of anything fitting into a country genre – this album is completely, and pretty proudly, pop. As the numbers show, her fans, majorly, do not seem to mind the change. 


Here is my take on a few of my favorite songs on the album:


Welcome to New York:

This song starts out with an upbeat electronic keyboard rhythm that almost sounds like something you would hear in something from the 1980s – almost “Video Killed the Radio Star”-esque. It is kind of like a pump up/getting ready for the new day kind of tune that you want to be listening to when you are about to step into your newest adventure.


Blank Space:

This has a much slower rhythm than “Welcome to New York” did, but has a chorus that is super catchy – match that with addictive lyrics that Swift is famous for and it is easy for this song to be stuck in your head for hours – “‘cause we’re young and we’re reckless, we’ll take this way too far. It’ll leave you breathless, or with a nasty scar.”



With a continuous guitar-rift that gives this song a very relaxed vibe, I think this has to be my favorite song on the album. It is upbeat enough to keep my mind interested and awake, but it is repetitive and soothing enough to allow me to listen to it more than a few times on repeat. And, as always, the lyrics are catchy as heck. It might also help that I might be kind of a huge One Direction fan and this song is rumored to be about Swift and Harry Styles’ relationship (get it – Styles is his last name and “Style” is the name of the song). In any case, great song.


Out of the Woods:

This was the second song that Swift released off of this album and it acted as the next stepping stone into this realm of repetitive electro-pop that seems to be taking over both the air and internet waves. Its chorus probably takes up about 80 percent of the song, but I actually do not mind. Like most of the other songs on her album, “Out of the Woods” is another song that I can listen to over and over again.


I Know Places:

Full disclosure – I kind of hated this song when I first heard it. Swift’s voice sounded obnoxious and a bit ridiculous from the get go, almost like a chicken’s cluck getting stuck in an autotuner – but it totally grew on me. The beat hooks onto that part of the brain where enjoyment is found and stays put. This is probably one of the songs furthest from country on the album and definitely hints more toward the pop rock side of things.


Wildest Dreams:

One of the more melodic songs on the album, Wildest Dreams fits its title well. Beginning with a drum beat that sounds like a heart beating, the song switches beautifully from verse to chorus and sounds more like something you would hear if Swift was attempting to imitate a modern, more techno-sounding Eurythmics’ sound. It brings to mind scenes of sunsets and hillsides coming into focus as the song continues. As it approaches the bridge, the heart beat sound speeds up, just as it would when someone is excited.


Overall, if you could not tell, I really like this album. It is definitely my favorite album by Swift so far for many reasons: the lyrics are addicting as ever, no two songs are the same, Swift plays around with her singing voice and tries out different styles more than before, and there is no real bashing of exes throughout the album (that is, besides the music video for “Blank Space”). I think this album really shows her maturing as an artist and a person and that is something I can totally appreciate.


Way to go, Taylor. 🙂


Twist of Fate – Destiny Review

Platforms: PS3, PS4, Xbox One, Xbox 360
Release Date: September 9, 2014

Destiny is the child spun out of divorce.

After splitting from Microsoft in 2007 and subsequently the Halo franchise, developer Bungie has executed a vision of the next generation of shooters that feels like it was thought up before the technology could support it. Destiny is the first part of a ten-year vision, merging the MMO (massively multiplayer online) mission structure with a first-person shooter. Hype and developer pedigree has carried this game since its unveiling, but only its pure quality can propel it past its release. Unfortunately, Destiny falls into the trap of many ambitious new franchises by failing to move pasts its good ideas and solid foundation.

Continue reading Twist of Fate – Destiny Review

Remembering Joan Rivers, A Comic Legend

Joan Rivers at Michael Musto's 25th Anniversary Party. Creative Commonsphoto by David Shankbone
Joan Rivers at Michael Musto’s 25th Anniversary Party. Creative Commons photo by David Shankbone

Written by Tami Benedict 

Legendary comedian Joan Rivers died in a New York hospital Thursday, a week after going into cardiac arrest during a medical procedure.

“It is with great sadness that I announce the death of my mother, Joan Rivers,” Melissa Rivers said in a statement today. “She passed peacefully at 1:17 p.m. surrounded by family and close friends. My son and I would like to thank the doctors, nurses, and staff of Mount Sinai Hospital for the amazing care they provided for my mother.”

Rivers, 81, was put on life support at Manhattan’s Mount Sinai hospital after she stopped breathing during a minor voluntary surgery at Yorkville Endoscopy. The clinic is now being investigated by the New York State Health Department.

The E! “Fashion Police” host was well known for her foul mouth and politically incorrect statements. She was not afraid to push buttons with her raunchy style of comedy. She was both scandalous and charming.

Her love for couture helped build her now famous catchphrase, “Who are you wearing?” A lifelong fashionista, she began doing red carpet coverage in the mid-1990s.

As harsh as Rivers could be, she made it clear that at times, it is ok to laugh at yourself, even telling her grandson to call her “Nana New Face.”

Rivers’ death was a shock to the nation, especially after seeing her at the MTV Movie Awards and the Emmys.

Although people may not have agreed with Rivers’ comedic style, I believe that she was still respected in the business. Rivers showed us that standing up for what we believe in was the right thing to do, regardless of how bad it may sound.

A Sunday service is set for Temple Emanu-El near Rivers’ East Side apartment, although it was unclear if the public would be invited.

Concert Review: Ed Sheeran

  • Ed Sheeran performed Tuesday August 26 at the SAP Center in San Jose. Brenna Cruz, Photographer/ Special to XPress
  • Rudimental’s trumpet player, Mark Crown, hypes up the crowd near the end of their performance. Brenna Cruz, Photographer/ Special to XPress
  • Ed Sheeran explaining the story behind one of his songs. Brenna Cruz, Photographer/ Special to XPress

Written by Olympia Zampathas

Photos by Brenna Cruz


For a Tuesday evening concert and over an hour and a half before the opening act is scheduled to begin, lines on multiple floors wrapping around the SAP Center arena in San Jose are jam-packed with excited fans, mothers, and boyfriends waiting to be let inside to see the British musician that is Ed Sheeran.

Sheeran, whose new album “X” has been topping the charts in the United Kingdom and United States, and who won a VMA for Best Male Video for his song “Sing” last week, played to thousands Tuesday, August 26. Inside, the excited crowded were funneled into various sections of the performance center as they awaited the opening act, Rudimental.

While not a big name in the United States, the band brings the energy and enthusiasm characteristic of major rockstars with high fives and grooving to their own music. The band, who won both the Brit Award and Mobo Award for best album in 2013, features two lead vocalists, a trumpet player, killer drummer, and guitar player, with unique and energetic style that flavored their set.

The band exits the stage with an emotional sing-a-long, engaging band and audience alike and paving the way for the main act. As a silhouette emerges from the back center stage, the crowd explodes into a screaming fest and my eardrums are shot.

Despite the crowd flocking to see him, and his recent VMA win, Sheeran is nothing but humble, praising his opening act and describing it as an honor to follow them.

As his performance begins, the crowd surges forward to pack the standing room-only portion of the arena.

Save for the guitar hung on his shoulder, a microphone and Looper pedal front and center, Ed stands alone on the stage. He starts out with an upbeat melody on his guitar and lets the instrument fall to his side, but the sound continues from the Looper. He begins to belt out “I’m a Mess” off of his most recent album, “X,” the crowd echoing him, word for word.

His dynamic performance a mix of live-recorded vocals and guitar, rapping, bits of beat-boxing, taking pictures of the audience with his phone and a bulky, cartoon-esque Polaroid-like camera he purchased in Japan, and the fast paced singing he is known for continues for the next hour and a half. The musician/songwriter plays “I See Fire,” featured in “The Hobbit: The Desolation of Smaug,” as fiery visuals are shown behind him before he abruptly exits the stage at the end of his set.

Desperate for more, fans chant, scream, and clap until he reappears on the stage for a 15-minute rendition of “You Need Me, I Don’t Need You.” He performs a four-song long encore, ending with a radio-favorite, “Sing.” He leaves audience members with the message to never stop singing, wherever they are, wherever they go. As people filter out of the arena, a wave of appreciation for the talent I witnessed comes over me and I head to the car completely content, happy, and a little hoarse.

Summer Mixtape: New Songs Each Week!

Photo by Nadine Quitania

Summer is officially here, so what better way to celebrate than with some new tunes? We’ve compiled for your listening pleasure, a rad playlist to kick off the summer. We’ll post a Soundcloud playlist each and every week with our favorite tracks to share with you and your friends. This week’s playlist features over 35 tracks from Little Dragon, Ta-ku, IAMNOBODI, and many more. So here’s to long road trips, afternoons at the beach, barbecues, and late nights with friends. Listen here, and make sure to follow us on Soundcloud and keep an eye out for what else we have in store.

Tune In, Go Native

Written by Chantel Genest
Photos and video by Tony Santos

2It is seven thirty at night and as students make their way home and the campus slowly calms, the Creative Arts building is in the midst of an artistic collaboration that will bring the college grounds back to life. Local musicians are arriving in the radio
lounge, a crew of audio and video producers are setting up a makeshift stage, and in just
a couple of hours the hosts of Native SF will bring an all-out musical roar to KSFS

SF State students Ryan McGeary, Phil Di Leo, and Garrett Peters co-host a program on the university’s KSFS radio station every Tuesday from nine to eleven. The trio brings an innovative show with live performance to listeners each week. With the
help of a crew and the skills these student producers have, fans get not only live radio
entertainment from the station but also video content on YouTube to revel in the local
music whenever they want.

This student-ran radio program is part of SF States Broadcast and Electronic
Communication Arts (BECA) department. The department provides real life skills and
experience to radio and television students each semester. Students get substantial
training and education in areas including TV and radio broadcast, video production,
audio production, sound art, aesthetics, multimedia, writing for media, legal issues in
media, and media management.
1“Though this building is old the resources for students here are incredible,” says
Gina Baleria, SF State online media and radio lecturer. “The full-fledge TV shows and
radio station are amazing. The perfect storm of opportunity is right here.”

The Creative Arts building houses one of Northern California’s biggest
production facilities for radio, television, and multimedia. With three color television
studios, a music-recording studio, radio station, video and audio post-production labs,
and an online lab, everything needed for students to practice and perfect their art form is readily available.

With so much going on in just one building, it seems crazy that many people on
campus do not know about BECA. Inspired and motivated students populate all of
department’s emphases and one of the biggest downfalls is a student coming to SF State
and not being aware that this program exists and missing out on a number of invaluable

“At the end of each semester I get students in my office lamenting about
graduating,” says Jeff Jacoby, the department’s radio director and advisor. “Not because
they are not happy to be graduating, but because they were not able to take all of the
BECA classes that they wanted to.”

Jacoby came to SF State and took over the KSFS radio station in 2006. While he
entered into a very well known department that was operating on all cylinders and had a
community of generally very happy students, he had some major goals he wanted to fulfill.

“I wanted to change the culture of KSFS so that the radio station became student
property,” says Jacoby. “It became their radio station—not mine, not the department’s,
and not SF State’s. That is how you get students to connect and engage with their
education, by giving them control.”

Each semester Jacoby starts his advanced KSFS radio class by informing his students that he has three sound studios and that everything they do in those studios will
be broadcasted over the web and played for an audience. He asks them one question: I
am going to hand you the keys to this facility, what are you going to do with it?

“I want them to push the envelope of what radio is and what radio can be,” says
Jacoby. “Radio is changing so dramatically and its definition needs rewriting.”

Ryan McGeary is one radio student who took Jacoby’s words to heart. As the
original creator of Native SF, McGeary wanted to expand his show and make it
something new and exciting and challenging. He was ready and willing to invest himself
and all of his time into making it something great.

“It started off as a playlist program because that was the obvious choice,
everyone was doing that,” says McGeary. “But I have been playing in the Bay Area
music scene for eight years or so and it made sense to use those connections to make my
show more interesting.”

Into his first semester producing Native SF, McGeary decided to bring in bands
during his program to play live in the studio. As fate would have it, the first band he
booked included Phil Di Leo. After that performance, Di Leo jumped on the chance to be
a part of the program and has played a major role in it ever since.

“I liked what he was doing and wanted to help out any way that I could and that
turned into what we have today,” says Di Leo.

3With two sets of connections and two ideas of what great music is, the program
has been able to see a range of different bands and genres. Along with seeking out bands
to book, McGeary has been reached out to many times when musicians hear about their
show and want to be on. There is no limitation on the talent that comes in as long as the
team believes they are local and have quality music they are more than excited to have

“No one is big or small, it is all about the music and exposing new music to
people,” says McGeary. “Although, we do like to think really, really big and not limit
ourselves to any level of fame either.”

The third member of the group, Garrett Peters, is the production manager of the
entire KSFS station and co-hosts an additional radio show called Blare It! on Saturdays
from noon to two with Danny Molina. He and Di Leo are also in a band called Edward’s
Crossing together. After initially assisting McGeary as part of his managerial roles,
Peters liked the direction the show seemed to be heading and decided he wanted a take
on a permanent role with Native SF. McGeary and Di Leo were more than welcoming.

“We are a good team, we all can visualize similar images in each other’s head and
understand what we are talking about,” says Di Leo. “We are all open to new things and
are all very receptive to each others ideas.”

The team shows up hours early each Tuesday evening to set up for the broadcast.
Microphones and cords are placed all around the room, having to be checked and double-
checked and triple-checked. Cameras are set up; lighting is arranged around the lounge.

When the band shows up they brief them, do a sound check, audio and video record a
five to six song set while live on the radio, and have to clean all the work up in thirty to forty five minutes to be out of the Creative Arts building by eleven. After that, all of the separate elements from production are assembled; at least three songs for each of the live bands are edited and put up on YouTube.

“In our experience the live radio is not the most lucrative part of it,” says
McGeary. “We try to put content out in multiple platforms and have multimedia out
there, not just audio.”

The co-hosts have melded into a driven, creative, and collaborative unit and it
shows both on air and off. In between hours of setting up a play space, grueling over
perfect sound and audio checks and the never-ending editing of mass content, these
friends give off a constant circle of comradery and good-natured shit talking.

As all three members share similar backgrounds being musicians themselves, they
have an understanding of what bands want and expect and need to perform well. When
the bands come in, keeping a good vibe and staying professional with what they are
doing makes the program go smoothly.

“Native SF is a three-man production team that strives to bring unheard and enjoyable music to people in a presentable way that is both beneficial to be viewed in the
audience perspective and the bands perspective,” says Di Leo. “We are a middle-man for
bands that are trying to speak to their fans.”

As much as these guys do to run the show, they definitely give credit to the other
students who come out and help each week. There are so many things that need to be
done and just three people couldn’t possibly do it without recruiting help from outside
majors like photojournalism and cinema. A core group of about six other SF State
students show up with cameras and lights and whatever is needed.

“It has been rewarding to see those people come out of the woodworks become
the people that we rely on every week,” says McGeary.

When it comes down to it, Native SF is doing exactly what it is meant to. As their
advisor Jacoby discusses, you have to push the boundaries, give a definition to radio, and own your product while doing it.

“Phil and Garrett and Ryan, what they are doing, what Native SF is doing on
radio, is classic BECA student behavior,” says Jacoby. “That is exactly what I want
students to be doing.”

KSFS has over sixty scheduled programs playing one-hour to two-hour sessions
throughout the week between eight in the morning and eleven at night on,
which is also run by BECA students. No shows are exactly the same, and the free form
radio structure of the station allows for a range of topics from Travis Schilling’s
Countdown to Coachella to Rocky Matthews & Brionne Bauchman’s The Rocky Hour
Show, a sex education and relationship advice talk show.

“You can have a show about books, about all hip-hop, a talk show, a sport show,
whatever you want,” says BECA senior and KSFS General Manager Michael Payton.

“Basically every hour you are on the station you are doing something you want to be

Even with all of the freedom that BECA radio students receive in their artistic
process, the faculty guiding them is what allows for such a productive and creative space.

Jacoby does impose FCC regulations on them because it is exactly what will have
to be used after they graduate and “that is good training.” He also imposes the idea that
they have an audience and that they should serve their audience.

“I think this experience will prepare me for the radio world after I graduate
because the teachers really focus the coursework on things that will help us in the real
world,” says Sara Bailey, co-host of Dopest of the Decades on KSFS.

Some may think that radio is a dying medium, but the students and faculty in the
BECA department and on KSFS know that that is not the case. Even as terrestrial radio
declines in the shadow of Internet radio, the station here is already set up on the web and the moment online radio is available in the car, KSFS will already be there.

In truth, what radio is cannot really be said. With the use of multimedia, podcasts
and YouTube, and the enormous available outlets on the Internet to get content out, radio
is more than what it used to be. To be in the industry students have no option but to
become multifaceted and that is exactly the aim that the BECA department has for them.

“Radio is definitely morphing into something different but it is so alive and so
vibrant,” says Baleria. “Everyone is still listening, everyone is still tuning in.”

Like the hosts of Native SF, creativity and innovation is spilling out of the
Creative Arts building every day. The BECA department is highly renowned all around
the country and students leave with vast experience and opportunity to succeed. You can
find a BECA student interning or working at almost any radio station in the city and the
professor connections and achievements only put them even more ahead of the crowd.

“They show us how we can do it,” says Peters. “They give us the tools and we pick up those tools and we do something cool.”